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Movie Review
By Walter Hoffman
 In recent years, Clint Eastwood has lent his directorial touch to several films that have received huge critical acclaim as well as numerous Academy Awards. His film “Unforgiven” resurrected the Western genre while “Million Dollar Baby” was a powerful sports story that also effectively touched the heart. In addition, this master storyteller told the story of the crucial World War II battle for Iwo Jima in “Flags of Our Fathers” and the Oscar nominated “Letter from Iwo Jima.”
Now, in what may be his final on-screen performance, Eastwood gives one of his finest portrayals in his latest directorial gem “Gran Torino.” The movie revolves around a Korean War veteran who has remained in his home following his wife’s death although the neighborhood has become totally Asian. Walt Kowalski refuses to sell either his home or his beloved vintage automobile. His family cares little for the man, only wanting to get their hand on the car.
His bitterness and guilt complex over incidents that took place during the war combined with his failing health have turned Kowalski into a foul-mouthed virtually friendless individual who chain smokes, curses, and drowns himself in beer. A chain of events leads Kowalski into a close friendship with the young boy next door who is trying to avoid being forced into joining a violent group of his peers who are planning to steal his beloved Gran Torino. In a final act of selflessness he avenges a brutal attack by the gang on his neighbor’s family.
The beauty of the performance isn’t so much in the writing but in every non-verbal sign delivered by Eastwood. Every grunt, wheeze and facial expression says more than the spoken word. If this is his final on-screen performance, then this 78 year old marvel has indeed saved his best for last. This is a film and performance worth savoring.
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